Friday, 17 January 2014

Flash Fiction: Authenticity

"Clarabel, may I just start by congratulating you. First day and your exhibition is already a success, the critics are abuzz."

"Thank you."

"These paintings are something of a departure from your previous work. More abstract, more violent, yet at the same time more vital."

"I'm trying to cut deeper, to capture the essence of life."

"Let me describe for our listeners this first piece, It's Over. A gentle background of broad brush strokes and flurries in light colours, with dramatic sprays of dark red arcing across it. Conceptual, yet deeply emotional. Was there a particular inspiration?"

"The paintings here are all about endings. This came from ending the relationship with my boyfriend."

She'd been staring at the painting for hours, her mind as blank as she wished the canvas to be. He'd walked in, joking about suffering for her art. Mockery that hit the wrong note, a note that ended in gurgling silence and arterial spray. She'd surprised both of them.

"This next piece, Stepsister, is executed in the same vein, but as a triptych. Any particular challenges?"

"Yes, placement was difficult."

Difficult, but she'd managed to get a perplexed Annie in the right position before pulling the knife.

"With such a large body of work, you must have encountered logistical issues?"

"Many!"

The bodies. Dozens. So many.

"What next for you?"

"One last painting in this style, then I want to move on. I'll be putting myself into it."

"Clarabel, thank you for talking to us."

"Thank you."




"Authenticity" was first published as an entry into the Lascaux Flash contest. The story was written in response to the painting shown, "The Dive" by Heidi König. More background here.

Thursday, 16 January 2014

From Deadlines to Darkness

The pressure of a deadline is often what is needed to get a story out of me. That happened with The Kraken Rises! at the Bristol Festival of Literature. It happened again with the Quantum Shorts competition and my entry "In the Garden of Uncertainty, and What Alice Found There", a competition whose deadline was no surprise to me, but which I decided to enter only at the last minute when the inspiration for an Alice-based take on quantum mechanics struck me. The deadline was brought forward for me by the necessity of boarding a long-haul flight.

Another deadline-driven event, but this time planned, was the second challenge of the NYC Midnight Flash Fiction Challenge. Given a brief, you have 48 hours to write a story in no more than 1000 words. The first round had been slightly outside my comfort zone — write a thriller — but that had obviously pushed me into coming up with something fresh as I came third in my group. Buoyed by that result and given a more comfortable brief — write a romantic comedy set in a planetarium, featuring a smoking pipe — I had high hopes for the second challenge. Sadly, although I was happy with my story, this comfort may not have provoked the writing to stand out as much as the previous one. I did pick up a point for it, but it was not enough to keep me near the head of the group to qualify for the next round. The good news, though, is that it was great fun and I now have two stories, by virtue of deadline, that I would not otherwise have had! (And one of them has already been accepted for publication.)

Speaking of publication, I've also had another couple of stories published. When it comes to stories, writers have favourite children — stories they like best for good reason, for some reason or for no reason. For whatever reason, these were two of mine. They'd both been well received at spoken-word events, and one had almost reached publication earlier in the year, but for whatever reason they'd struggled for acceptance. The first is "Ashes to Ashes, Mañana, Mañana", which was published by Kazka Press, a paying market, and the second is "Possession", which appeared as a #FridayFlash with Litro.

Both of these stories also had recent outings. Along with "Authenticity", I read "Possession" at Bristol Festival of Literature's Word Karaoke evening. Then, just before Christmas, Joanne Hall and I both read at the BristolCon Fringe. While Jo gave a sneak preview of her forthcoming novel, the second book in The Art of Forgetting series, I headed to the other end of the writing scale and read three short stories: "Remembrance of Things Past", "Ashes to Ashes, Mañana, Mañana" and "Milk Teeth and Chocolate Eggs". Given the season, these were not exactly the cheeriest stories I could have chosen! But sometimes a little darkness is needed to appreciate the light.

If you'd like to recapture some of the spirit of that near-solstice darkness, you can listen to podcasts of the event: first, "Remembrance of Things Past" and "Ashes to Ashes, Mañana, Mañana"; second, "Milk Teeth and Chocolate Eggs" and then Q&A with me and Jo.




Friday, 20 December 2013

Flash Fiction: S3xD0ll




Trouble. Big trouble. Big luscious lips and deep sensual eyes, staring at me. Big, deep and up-to-my-neck-in-it trouble.

Cath is due back any minute. Enough time to contrive an apology, but not enough to undo this mess.

"Don't spend all morning surfing dodgy sites." She winked as she headed for the door. "You need to buy milk and something for dinner. Speaking of surfing, don't forget to renew the firewall and anti-virus subscription; it expired yesterday. I'll be back at two to print out my portfolio."

I should have got my act together and headed out to the shops immediately, renewing the subscription on my return, rewarding myself with a coffee. The rest of the day would have been mine to squander. Should have... but as the door closed, my subconscious had already prioritised surfing with coffee over shopping and subscription renewal.

OK, I'll admit I may have looked at some sites that had nothing to do with my thesis write-up... including a couple that didn't involve pictures of cats. I was tempted to renew the subscription as further procrastination, but it was midday and the high street would be busy, getting busier.

Well, I've just renewed the sub and scanned and fixed the PC, but that's locking the barn door after the horse has bolted and the printer cartridges have emptied. How was I to know one of those sites had the S3xD0ll virus?

When I got back from the shops I thought Cath had returned early because the printer was chuntering away in the background. Cheap 3D printers have knocked the low end out of the consumer products market, with open-sourced and pirated designs online further squeezing the product designer jobs market. Cath, however, has secured an interview and she was going to print out some of her work to take along. In preparation she'd bought litres of plastic and metal powders... now used up. In their place I have a life-sized animatronic sex doll to explain away. Big luscious lips and deep sensual eyes, staring at me with preprogrammed expectation.

And that's the front door.


"S3xD0ll" was shortlisted in New Scientist's 2012 Flash Fiction competition. More background here.

Monday, 16 December 2013

The Unputdownable Kraken

December? November... October! OK, so this is a little — OK, OK, a lot — overdue, but things have been busy.

October saw Untputdownable, the Bristol Festival of Literature, and BristolCon, Bristol's one-day SF and Fantasy convention, overlapping once again. Last year I time-sliced between the con and the last day of the lit fest. It was exhausting. This year I decided to avoid spreading myself too thinly by spending the day and early evening at the con and the evening at the Unputdownable Speakeasy, the lit fest wrap-up.

The con is very writer- and writing-focused and ridiculously good value for money, with some well-run and carefully considered panels, plus a host of other events, readings and casual conversations, all collocated. An intense day.

The lit fest is spread out over two weekends and the week in between across a number of venues around Bristol. Work-related travel meant I had to miss most of the events during the week, but along with my older son, Stefan, I did manage to attend a writing challenge on the first Saturday. The challenge? Write a story involving a Bristol-wide disaster of supernatural proportions themed around the event's title, The Kraken Rises!, and prompts and ideas dotted at three central Bristol locations, with writers on hand for inspiration and discussion.

Stefan noted that everyone seemed to stand around and talk about writing without actually doing any, while he got down and wrote his story, wasting no time taking out the suspension bridge and other landmarks in his opening paragraphs. I decided to experiment with a different approach to storytelling in my tale, "#KrakenEvent", using Twitter, web pages and texts to tell the story. We both got our stories in the next day.

But the story of the stories doesn't end there. During the week I received an email that my story had been shortlisted and was to be included in an ebook anthology. Because there was some crossover between BristolCon and the lit fest, and many of The Kraken Rises! participants are active in the Bristol Fantasy and SF Society, the winners were announced at BristolCon. Scott Lewis won with the storming allohistorical adventure of "Kitty McClure and the Cult of the Kraken". And I came second! And not once but twice in the same evening: the winners were announced again at the Speakeasy, along with the winner of the ebook coverart competition, Tina Altwegg.


We all walked off with bags of bookish goodies and the warm glow of an alcohol-washed evening. The ebook turned up in my inbox the next week... at which point I received the best surprise: Stefan's story had made it into the anthology! He'd been missed out of the original round of emails notifying shortlisted authors, hence the surprise. This made my day and his, and also means the anthology is bookended by Henneys — his is the first story in the book and mine the last. You can buy it for the Kindle, with proceeds going to the lit fest. Not all of the formatting of my story survived the ebook process — the dangers of eschewing the conventions of page and paragraph — so if you're interested in the story as originally formatted, drop me an email. You can read more about The Kraken Rises! in this interview by Joanne Hall with its organiser, Pete Sutton.

Given the number of Bristol Fantasy and SF Society folk who ended up in the ebook, we're planning a special Squidpunk BristolCon Fringe next September with readings from The Kraken Rises!. Squidpunk? A new genre created by Joanne Hall at BristolCon this year.

And speaking of Joanne Hall and BristolCon Fringe, the two of us are reading tonight. Better get my act together...

Thursday, 31 October 2013

Sex, Libraries and Staying Up Late

It's almost the end of October... so about time I said something about September, especially as there are a couple of things to say about October that deserve their own post.

A few things happened on the flash fiction front, not least of which was having a story, "Another Coffee", published in Flash Me! The Sinthology.


I also had "Carefree", a drabble and a half, published with The Pygmy Giant.

I took part in a flash slam in Brighton, along with eight other flash-fictioneers, based on up to three rounds of story readings, with no story longer than 300 words. All slammers read in the first two rounds; I fielded "Authenticity" and "Wrecked", but didn't make it through to the final round. The standard of the three finalists was high, with Marc Nash emerging the outright winner. Great fun, even though it involved a lot of driving on my part!

And, speaking of participation, something completely different: The NYC Midnight Flash Fiction Challenge, a series of 48-hour writing challenges. I found out about it a few hours before the first round kicked off and, on a whim, signed up. You're randomly assigned a genre, a location and an object for your story, and 48 hours — or less, if you're respecting your local time zone — to write a story of no more than 1000 words. What did I get? A suspense story set in a cemetery, which must at some point include a sewing machine. Not a genre I've written in, with a setting that is a minefield of clichés and an object that could turn could bathetically undermine any attempt at suspense. And that, I guess, is why it's called a challenge! Anyway, it was good fun, more than I expected, and the next round is coming up this weekend.

And last, but most definitely not least, I did a reading at Winterbourne Library with four other local authors. I normally read out flash fiction, either dark or light, often wry or explicitly humorous, sometimes something at the other end of the scale. What I chose — "Promises You Can Keep" — was none of these and I was unsure of my choice beforehand, and even a little uncertain about it afterwards. Should I have chosen something more in my comfort zone? Something funnier, something darker, something else? A couple of days later I received a comment on this blog that told me it was the right story. I've received comments on my stories before, but this one is worth more than all of these put together.

Sunday, 15 September 2013

Short Story: Promises You Can Keep

Pull, pull and pull again, tilt forward, pivot on the corner, swing, pivot on the other corner, walk out, pull and pull again. Not as young as he once was, but after all these years what mattered was experience over energy, mind over matter.

Pete leant on the washing machine, catching his breath, looking around. It was a big kitchen. Big and empty and incomplete, caught between one age and another, between one owner and the next. It was clear the new owner wanted a modern kitchen, one gutted of its history, cleared of its reminders. Ghosts of fixtures past haunted the walls, negative shadows of dressers, shelves and cupboards cast across age-darkened wallpaper. The house still clung to what remained of the old, but the new owner would win; the house lacked the energy to resist such determined change. Through the window Pete could see bygone furniture and fittings in the skip on the driveway, viscera and memories of the old house.

The kitchen had been stripped to bare essentials — a Belfast sink, a cooker of sorts and shelves in a pantry whose days against modern designs were surely numbered. The old fittings were joined by a fridge, a microwave and the washing machine, transients from the move, to be moved on without remorse when the time came.

Boxes were stacked high in two corners, their contents packed and sleeping, waiting for dark Victorian gothic to be banished by downlighters and sheen-surfaced, right-angled units. Only then would they venture into the kitchen to find a new home.

One box on the tiled floor was open. The essentials — a couple of pans, cutlery and plates for two, a pair of mugs, a kettle and little else — were out and in use on a worn-out sideboard moonlighting as a draining board and all-purpose surface.

In a living, lived-in house — a home — the flotsam and jetsam of everyday things would wash into place, sorted and settled by the drift of habit. Each thing and each kind of thing would belong, would have a home. But kettle, post, keys, phone charger and kitchenware were scattered without ritual or care across the sideboard, the floor and, before he had cleared it, the top of the washing machine. Unsettled. Restless.

Atop one pile of bills and flyers Pete spotted a yellow card: Pete the Plumber – The Promise of Punctual and Watertight Service. He smiled. He had been so much more impressed by his wording than Angela: "Dad, it makes you sound like a promise is as far as you'll get — all talk, no plumbing. Anyway, printing stuff out and pushing it through doors isn't how to get the work these days. You need to get yourself online."

He liked the slogan — he even made sure to 'promise' in his phone calls — and the cards seemed to work well enough — here he was, after all, making good on his promise of yesterday.

Boiling crescendo and a click from the kettle returned Pete's attention to other rituals. He was sure no one would mind him making himself a cuppa. He had found tea bags and milk; no sugar though — clearly not an essential.

Placing his mug and tool bag on the floor, he knelt down to inspect the back of the washing machine. "Ah, off balance. Bet that wobbled something out of place. Let's take a look." The owner had said the machine had worked for a few washes after the move, but had shaken wildly and loudly — wildly and loudly, at least, until it went dead and silent. He adjusted the feet of the machine, pulled out a spirit level and nodded, satisfied, before unscrewing the back to pull the rear panel off. Looking inside he chuckled. "That'd be it then. Those screws have worked themselves right out. Surprised those fastenings didn't shear off!"

He reached for his tea, but caught something out of the corner of his eye, something unexpected, not there before.

A boy.

A boy standing in the centre of the tiled floor.

A boy wearing traditional school uniform with shorts, a blazer and a cap. Motionless, the boy stared at Pete, the look in his eyes deeper than his eight or nine years. Pete knocked the mug, jolting tea onto the floor.

"Oh! Hello." The startled tea within the mug slowly calmed. "Didn't hear you come in." He forced a smile from his surprise. "I'm Pete, Pete the plumber."

"Are you here to fix our washing machine?" The boy's voice was crisp and well spoken. Pete was not sure what he had been expecting, but he was almost as surprised by the boy speaking as he had been by his silent appearance.

"Err, oh, yes. It's quite a simple fix really, just a couple of screws need putting back in place. They must've come loose during the move. The drum would've been jumping around like a mad dog in a cage — lucky the fastenings didn't come right off! Must've made a hell of a racket, eh?"

The boy was silent as he looked at Pete, at his tools, at the machine, then back at Pete. Calm and contained... on the outside. Pete could see in the boy's eyes that inside was a different story, as if sadness had been bottled, shaken and put to one side, barely held in by a stopper.

"If you want, you can watch me fix it." Pete nodded an invitation. The boy hesitated but accepted, walking over to one side as Pete pointed into the machine. "See here and here? There should be screws holding these bits together. I'll use new screws — the thread'll be gone on the old ones and we want to be sure it doesn't break again, don't we?"

The boy watched Pete fish into his bag for washers and screws.

"I'm Timothy."

"Pleased to meet you, Timothy. Just back from school?"

"Yes. We're late. There were roadworks. And an accident. In the roadworks."

"Roadworks and accidents." Pete sighed and shook his head at Timothy. "There's nothing worse than that. Nothing worse."

Timothy nodded. Pete reached into his tool bag for pliers and another screwdriver.

"Got any brothers and sisters, Timothy?"

"No."

"So just you and your parents in this big old house?"

"Just me and Mum."

"Your Dad...?" The words were out before Pete could stop them.

Timothy hesitated. When words finally formed in his mouth, his eyes had already told the story. "He's gone."

"Oh... I'm sorry." Pete looked back at the machine. He started fitting the rear panel back on. Screws he could find, but not the words. "I'm almost done."

"I... I think Mum's on the phone. She said she had a couple of calls to make because we were late. She... she should be here... in a moment."

Pete tightened the last screw, patted the machine then pushed and walked it back into place.

He knelt down next to Timothy. "You know you and your Mum are going to be OK, right? It won't be easy, but right now you're the most important thing in the world to your Mum, more important than you could ever imagine. And your Mum... your Mum is going to do everything she can to make your life the best it could be. You'll miss your Dad, you'll miss him something rotten, and so will your Mum, but you're going to be OK. That's a promise."

"How... how can you say that? How can you promise that?" Timothy's fists clenched, a storm gathering at the edge of his calm. "How can you know? You shouldn't make promises you can't keep."

Pete looked Timothy in the eye. "When I lost Marjorie, my wife, my little girl was about as old as you are now. And that's how it went. Angela was the most important thing in my world. She made life worth living. I tried to give her the best life I could, and she helped me have the best life I could. I look at you and I know you can be that person for your Mum."

Timothy's fists unclenched, the storm receding from his eyes, the promise of rain and thunder taken back. "You... you think I can be?"

"It won't be easy. You have to promise to try hard — wherever you are, whatever you do, whoever you become — to look after your Mum. You think you can do that?"

"Yes... yes, I can. I promise." The bottled sadness in Timothy's eyes stirred with belief.

"That's a promise you can keep." Pete patted Timothy on the back as he stood up. "Right, all done. Should work just as it did before the move. I'll set it going on a short cycle just to be sure. Tell your Mum there's nothing to pay — it'd be criminal to charge for such a simple fix!

"You've been great company, Timothy. I know you can keep a promise like that."

Pete turned the dial and pushed the button. The washing machine stirred to life with a gush of water and gentle anticipation.

"Timothy?" Timothy looked round. His mother was standing in the doorway, phone in hand, tears freshly wiped from her face, a look he knew too well. She tried to hide her crying, as if he would not notice, as if the absence of tears would not remind him of the absence of his father, as if the pretence would somehow dry their shared grief away.

"Mum, are you OK?"

"Oh... oh yes, Timothy. Yes." She faltered a smile. "I'm just a little upset, that's all... I was on the phone to someone whose father had just died. And that made me... anyway, it's OK, it's nothing to worry about — no one you know." She cocked her head. "I heard voices?"

"The plumber." Timothy turned back towards the washing machine. "He...."

"The plumber? I'm afraid he won't be coming. I just spoke to his daughter. He passed away yesterday morning — a heart attack. It can't have been more than an hour after I spoke to...." She frowned. Something was not quite right, not as expected. She stared at the washing machine marking time with a calm and rhythmic churn.

Timothy stared at the spilt tea on the tiles.

The two of them were alone in the kitchen, each one holding a question, each one missing a piece of a private puzzle. Timothy looked up at his mother and reached out to hold her hand — for reassurance, for life, for him and for her.


"Promises You Can Keep" was first published with Litro. More background here.

Thursday, 5 September 2013

Looking Ahead

As promised in the previous post, in this post I'll look ahead to the coming weeks and months. Starting with tonight.

I'm going to the (re)launch of the North Bristol Creative Writing Group, which kicks off tonight. Although I don't know how often I'll be able to attend in future, it's closer than Bristol Parkway station — the most common reason I pass through Filton — and promises to be significantly more interesting.

In a couple of weeks time, on Wednesday 18th September, I'll be doing a reading in Winterbourne as part of the South Gloucestershire Discover Festival. I'll be reading along with Philip Douch, Louise Gethin, Sarah Hilary and Pauline Masurel. Three of the five of us read at BristolFlash, but this time the focus will be on not-quite-so-short short stories.

The week following, on the other hand, will be flashier. I'm taking part in a flash slam in Brighton at the FlashLit Fiction evening event on Thursday 26th September. Careful readers will note that the similarity between Bristol and Brighton is limited to a few letters, and they are somewhat geographically separated. As it happens I'll be in Oxfordshire, which is also not close to Brighton, but has the virtue of being not quite so far away. A rush-hour drive around the M25 should add to the intensity of my reading. There are three rounds in the slam, with the numbers whittled down in each round, each flash piece restricted to a maximum of 300 words. Whatever happens, the evening promises to be a good one.

The Bristol Festival of Literature is happening in October. I'm hoping to attend a couple of things, including a one-day writing event, "The Kraken Rises!", and an open mic, "Word Karaoke". There's more that I would like to attend than I can, but I was lucky enough to see a kind of dry run of the Bristol Writers' Group planned "Fear: tales in the caves" last night at Word of Mouth. As with last year, the last Saturday of the festival — 26th October — coincides/collides/cohabits a space in time with BristolCon. I plan to spend most of the day at the con, ducking out to go to one or two litfest events.

Speaking of BristolCon, and following on from the previous post about BristolCon Fringe, I'll be reading at the fringe on Monday 16th December with Joanne Hall. In the pipeline for April we're planning a flash fiction version of the fringe, a kind of BristolFlash SF&F mashup. Watch this space and this space for more news.