I had a couple of micro-fictions published in June and July: "Measures", a dribble-and-a-half at Paragraph Planet, and "College Fund", a drabble-and-a-half at The Pygmy Giant. It was New Zealand's National Flash Fiction Day on 22nd June. A write-in on the day sought flash from both hemispheres, to which I contributed "To Catch a Falling Leaf".
And in other writerly happenings, last week I managed to attend the Bristol Blackwell's launch of Pangea, an anthology of short stories from authors around the world. One of its editors and authors, Rebecca Lloyd, is based in Bristol, as is another of the authors and key PR person of the book, Sarah Hilary. With excellent readings from Vanessa Gebbie and Tom Remer Williams, I managed to get a thoroughly signed copy of the book. The wine and nibbles then flowed into an evening meal next door, with a number of authors — what's the collective noun for authors? an anthology? — including locally based Tania Hershman and Jonathan Pinnock.
Shifting to performance art, I ended the evening by meeting up with Sam Aaron and other members of Live Notation Unit for a drink. As it coincided with the Olympic opening ceremony, I wasn't able to catch all of the live coding performances at the Arnolfini the following night, but some of what I saw was ingenious and inspiring, and makes me want to see more.
And in other writerly happenings, last week I managed to attend the Bristol Blackwell's launch of Pangea, an anthology of short stories from authors around the world. One of its editors and authors, Rebecca Lloyd, is based in Bristol, as is another of the authors and key PR person of the book, Sarah Hilary. With excellent readings from Vanessa Gebbie and Tom Remer Williams, I managed to get a thoroughly signed copy of the book. The wine and nibbles then flowed into an evening meal next door, with a number of authors — what's the collective noun for authors? an anthology? — including locally based Tania Hershman and Jonathan Pinnock.
Shifting to performance art, I ended the evening by meeting up with Sam Aaron and other members of Live Notation Unit for a drink. As it coincided with the Olympic opening ceremony, I wasn't able to catch all of the live coding performances at the Arnolfini the following night, but some of what I saw was ingenious and inspiring, and makes me want to see more.
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